Gig Reviews


Manchester Apollo 22nd February '98
Royal Albert Hall 17th February '97
Opera House 26th November '96
Newcastle Mayfair 28th October '96
Milton Keynes Sanctuary 2nd October '96
Newcastle Riverside 1st May '96
The Revolver Club 12th May '96
Knebworth 11th August '96
Loch Lomond 4th August '96


Manchester Apollo: Sunday 22nd February 1998

gig broadcast live on Radio 1

Hundred Mile High City
Better Day
Travellers Tune
Lining Your Pockets
One For The Road
The Circle
You've Got It Bad
40 Past Midnight
It's My Shadow
The Riverboat Song
Get Blown Away
Debris Road
The Day We Caught The Train
Get Away

Foxy's Folk Faced
I Wanna Stay Alive With You
It's A Beautiful Thing
Song Of A Baker


Royal Albert Hall: Monday 17th February 1997

Some people will never be convinced. They will refuse, even after titanic nights like this, where Noel Gallagher, Paul Weller and an Albert Hall full of disciples willingly lent their assistance, to believe Ocean Colour Scene are anything but an anomaly in 1997. That their sincere devotion to the high glories of Dylan, Free and the late-'60s in general - a period unplundered for years during the dreary reign of indie, remember - somehow marks them out as refusenik dullards in an age when the likes of Placebo (the most cynically contrived bunch since Skunk Anansie, no probs) are happily feted to the skies.

But we digress. The evening starts, for those fortunate to have arrived indecently early, with Noel Gallagher sauntering onstage and happily declaring, "Welcome to a night of Dad Rock!". After which, The Real People blitz any preconceptions of them having missed the boat and the crowd (mod-ish young couples, mostly, if you're interested) settle back in their loafers for the main event.

There's the small matter of Paul Weller sauntering on to do a few new songs first, during which Steve Cradock, resplendent in full Noddy Holder ensemble of brown slacks and beanie cap, comes on to apply added sonic back-up for 'Peacock Suit' before a four-piece string ensemble turns up and performs a full five-minute version of 'The Riverboat Song'. At last! Evidence that the 'Scene have lightened up!

And from then on, well, they do what you'd imagine. A genuinely soul-stirring trip through 'The Circle', a singalong dash through 'The Day We Caught The Train', a frantically distorted 'The Riverboat Song', and all the while Simon Fowler grins sheepishly, Steve performs variations on the mod-ish scissor kick and PP Arnold - who, no-one here needs to be reminded, duetted with The Small Faces on 'Tin Soldier' - saunters on and off to make the songs soar. Steve, rising to the occasion, even slips behind the Albert Hall's pipe-organ and deigns to bash a few ivories, such is the relaxed nature of it all.

So yeah, it's a family affair, and there's barely a raised eyebrow when The Real People and Messrs Weller and Gallagher stroll back on at the close of a handful of encores to a tumultuous reception (really, you should have heard it) and thrash through Ronnie Lane's 'The Poacher' (Paul on powerchords; Noel seated nonchalantly at the edge of the stage). The assembled company then blast out a wonderfully ragged 'Daytripper' while Simon, visibly moved by the whole shebang, declares, "It doesn't get much better than this, does it?" as the night dissolves into a mass of crackling amps, onstage bear-hugs and an Albert Hall lost in a deafening storm of applause.

Believe it, then.

Concert of the year, until the next one.

Written by Paul Moody

Taken from the NME 1st March 1997 edition


Opera House, Toronto: Tuesday 26th November 1996

You've Got It Bad
One For The Road
Travellers Tune
Lining Your Pockets
The Circle
The Riverboat Song
Fleeting Mind
The Day We Caught The Train
Get Away
Robin Hood
I Wanna Stay Alive With You
Song of a Baker


Newcastle Mayfair: Monday 28th October 1996

Support: The Real People

You've Got It Bad
One For The Road
Travellers Tune
Lining Your Pockets
The Riverboat Song
40 Past Midnight
The Circle
Fleeting Mind
The Day We Caught The Train
All Or Nothing
Get Away

Robin Hood
I Wanna Stay Alive With You
It's My Shadow
Day Tripper (with Tony & Chris from The Real People)


"This is for the best looking front row in rock...if you believe that you'll believe anything."
Simon Fowler

Day Tripper, Day Tripper Yeah!

What can I say? I know it's a cliche but truly, they came, they saw and they conquered. Following a blistering set from The Real People, on at least their second support slot to OCS, and a 30 minute agonising wait (made less so by the playing of The Las 'There She Goes' amongst other classics) the 'Scene took to the stage to rapturous applause from a packed, sold out Newcastle Mayfair. The Newcastle crowd are notoriously slow to warm to a live act but with the opening blast of guitar from Steve that is You've Got It Bad the crowd were won over in an instant. This was swiftly followed by storming versions of One For The Road and a Travellers Tune that rocked the Mayfair to its foundations, a sign of a brilliant gig is when sweat and condensation can be seen dripping from the walls and ceiling, usually towards the end, never have I seen it after three songs! The pace slowed while Simon played acoustic through Lining Your Pockets with Steve at the piano and playing electric guitar. Then into an absolutely fantastic version of The Riverboat Song with Simon shaking his head to clear the sweat from his eyes, Steve either with his head down in deep concentration or smiling, laughing, pointing at the crowd. It seems that Simon and Steve are joint frontmen, interacting with the crowd with Damon and Oscar taking a more background stance, providing a throbbing, thundering wall of sound and backing vocals as the backdrop to Steve's excellent guitar playing and Simon's impassioned vocal delivery. This led to a rocking version of 40 Past Midnight, with the band playing together looking and sounding incredibly tight, but most of all looking like they were not just enjoying it but loving it. This fed into The Circle with yet another singalong from the crowd, I doubt there was one person there who did not know the words to every song played! A gorgeous Fleeting Mind later the opening chords to The Day We Caught The Train flew through the air amid screams from the crowd and the whole place rocked and sang along, looking around I could see people hanging over balconies above me, the crowd around me, the front row, even the bar staff singing, faces all around me smiling at each other and at the band, this was truly a wonderful moment and one I shall remember forever. After this followed a cover of a Small Faces tune, and then Simon went to the side of the stage and returned with his harmonica and acoustic guitar, the crowd went wild this could mean only one thing and as expected Get Away started up, the crowd quiet during the opening verse, before building up to singalong as the band kicked in with a rocking third verse and finale. The Mayfair was filled with the sound of whistles, shouts, cheers and clapping acknowledging what was a fantastic set by a fantastic band.

No-one moved when the band left the stage, everyone knew that they would return there was no way they could leave on that note, on such a high and after a few minutes of chanting and clapping from the crowd Simon returned to the stage to rapturous applause clutching an acoustic guitar and he started up into Robin Hood, the crowd providing backing vocals to his heartfelt and sincere delivery. With the last few notes hanging in the air, Steve, Oscar and Damon returned to the stage and started up into I Wanna Stay Alive With You, sheer bliss, my two favourite b-sides being played unexpectedly, the crowd stood almost motionless listening in awe as Simon, his eyes clenched tightly shut, delivered the best vocals of the night. Steve head down staring at his guitar, glancing to the crowd occasionally and grinning, Oscar reliable as ever providing the backing beat and Damon stood drop-dead cool, cigarette held on his bass guitar strings, prowling around the right hand side of the stage, smiling at the crowd, and turning to Oscar and grinning at each other. It was a rare airing for these two songs and I wonder if they will be incorporated into the set on a more permanent basis as they deserve to be, although it would be hard when they have so many other quality b-sides they could choose from.

Everyone expected Day Tripper at this point but instead the 'Scene started into It's My Shadow amid huge applause, Simon stopping singing half way through, turning his mic towards the crowd, inviting them to sing to the band which they did singing with true devotion as Simon, Steve, Damon and Oscar onstage, grinned at each other knowing that here they have finally made it, through all the leaner times when no-one wanted to know, they have finally got the interest, the following, the hearts and minds of so many that they have rightly deserved for so long.

The song complete, Simon welcomed Tony and Chris (lead vocals & guitar and bass guitar for The Real People) onstage. With Simon and Steve on the centre mic stand and Tony and Chris off to the left using Steve's mic stand shaking tambourines and gripping pints of lager, the opening riff of Day Tripper sprang into life from Steve's guitar and, as the saying goes, the crowd went wild. People hanging perilously from balconies screaming along to Simon, Tony and Chris, the crowd by the stage jumping around singing their hearts out, Damon playing to Oscar, the two looking ecstatic, Tony and Chris slamming their tambourines against their hands, eyes shut tight singing their backing vocals, Steve grinning at the crowd throwing Weller style shapes with his guitar and Simon holding his mic stand in the air grinning, singing as if his life depended on it. The song reached it's peak amid a wall of sound, from both the crowd and the band. As the last few notes rang out the 'Scene shouted their thanks to the crowd, Simon blowing kisses to us all.

On the train journey home, soaking with both sweat and the torrential rain pouring outside the Mayfair people sang OCS songs, their spirits high after what was a set of pure brilliance. As I stared out of the window into the darkness, seeing lights in the distance I wondered what would happen next, with such a prolific writer as Simon, and the forthcoming release of more material it can only mean that Ocean Colour Scene will become even bigger as will the size of their devoted following they have deserved for so long. Chastised so wrongly by the music press for taking from the past it is obvious to all:

Ocean Colour Scene
four men, one band, the songs, the fans, the future.
Believe.

Laurence


Milton Keynes Sanctuary: Wednesday 2nd October 1996

Support: The Real People

You've Got It Bad
The Day We Caught The Train
Traveller's Tune
The Circle
Lining Your Pockets
40 Past Midnight
Big Bud
Fleeting Mind
One For The Road
The Riverboat Song
Song Of A Baker
Get Away

It's My Shadow

Day Tripper


Newcastle Riverside: Wednesday 1st May 1996

Support: The Real People

You've Got It Bad
Cover of Small Faces' Song Of A Baker
Finished with a cover of The Beatle's Day Tripper

I will finish this at a later date.


Madrid, The Revolver Club: Sunday 12th May 1996

Details of this gig were emailed to me by: cloran@ibm.net

OCS played live in Madrid, Spain on Sunday 12th at The Revolver Club. They play on the 11th in Barcelona in Zeleste. The set was mainly the Moseley Shoals album with 2 single b-sides and 1 cover of a song by the Small Faces and Revolution by The Beatles.


Knebworth: Sunday 11th August 1996

Supporting Oasis


Other Support: Bootleg Beatles, Chemical Brothers, Manic Street Preachers, The Prodigy

The Circle
The Day We Caught The Train
One For The Road
Song of a Baker (from the Small Faces Tribute Album)
The Riverboat Song
40 Past Midnight
You've Got It Bad
Get Away


Loch Lomond: Sunday 4th August 1996

Supporting Oasis


Other Support: The Gyres, Bootleg Beatles, Cast, Black Grape

The Riverboat Song
You've Got It Bad
The Circle
Lining Your Pockets
The Day We Caught The Train
40 Past Midnight
Get Away

I'm sure there were some others as well but I was a little inebriated so if anyone would like to correct me, then please do so!


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