The tuba is derived from the ophicleide, a type of keyed bugle used in the 1800's before the musical community embraced valved brass instruments.
The serpent first gained popularity in the brass bands of Great Britain.
The precursor to the modern sousaphone called the helicon was also used in the Great Britain Brass Bands cause of it's easier portability.
A variant based on the French horn was created by Richard Wagner for his Ring cycle of operas, and has since been called the Wagner tuba.
In the 1860's John Philip Sousa commissioned an audience-friendly version of the helicon from C. G. Conn, and the instrument later called the sousaphone was born.
Since then, the general design has remained the same, but some interesting variations have appeared, including four, five and six valve instruments, rotary valves, fiberglass sousaphones and convertible tubas, designed exclusively to be used as both marching and concert instruments. Tubas can now be found in the most diverse range of shapes and designs of ANY instrument, and the number increases drastically when tenor tubas (another name for the euphonium) are added. Tubas can come in five different keys (BBb, CC, Eb, F, and the GG contrabass bugle), bell up or front, bells fourteen to thirty inches in diameter, lacquered or silver plated, rotary or piston valves (or both), two to six valves, convertible or student or professional models. Sousaphones add to that, as do tenor tubas (baritone or euphonium, bell up or front, one or two bells(the rarely-seen double-belled euphonium), three or four valves, compensating or non, silver or brass), obsolete instruments (ophicleide, bass saxhorn), and the ambiguous Wagner tuba. To see all this variety, one need only attend a Tubachristmas - the selection of instruments people bring to play is simply staggering.
Other Early Tubas
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